Review of: Star Nine

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On 20.04.2020
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Star Nine

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Star Wars actor Andrew Jack dies of COVID RIP. Taika Waititi in early talks to develop Star Wars movie. Laura Dern confirms she's dating Baby Yoda: 'I don't mind Star Wars actor John Boyega criticised over sexually-char Mark Hamill hints Harry Styles makes a cameo in the new S Star Wars: The Last Jedi director says pandering to fans Star Wars: The Rise of Skywalker.

Does it live up to the Adam Driver walks out of NPR interview over Marriage Stor Hollywood celebrates closing Star Wars chapter at world p Setting the show in a fixed location meant that a large cast of recurring characters could be built up with relative ease; much more so than in The Original Series or The Next Generation before it, or Star Trek: Voyager , Star Trek: Enterprise , or Star Trek: Discovery since.

As Rick Berman, speaking in , stated, " The show was land-based, but the benefit we got from that was that by staying in one place, it enabled us to create twenty or thirty secondary and recurring characters, which really enriched the show because of all the multi-layers of relationships that have existed over the years.

It's a very character-driven show as a result, and I think that makes it quite unique. The decision to set the show in a fixed location was regarded as a benefit by the series' staff writers.

For example, Ira Steven Behr , speaking in , commented, " We have certain advantages that I think no other Star Trek series has had, because we do have a base of operations that doesn't travel through space, which is the space station.

Every story we do, the repercussions, the consequences don't disappear. It's not like the other shows where you have an adventure and then you zoom off into the great unknown.

We are here, we have made a home, what we do has consequences. And I think we're able to do this mosaic, this fabric of life in the future, which I like.

Not that we didn't go out there and discover things, but we had the same characters, we didn't change location every week. Sisko couldn't just solve a problem and sail off into the sunset, and never have to go back to that place again.

That place was always there, and that problem could always come back to haunt him. So, in a lot of ways, it was a more complex show.

The series was designed to have more interpersonal conflict than its predecessors, while still staying true to the universe that Gene Roddenberry had created.

Rick Berman commented, " [Deep Space 9]'s an alien space station that doesn't work the way they want it to, and that in itself created a lot of conflict.

At the same, our core characters are Starfleet officers; Sisko, O'Brien, the doctor and Dax in no way vary from The Next Generation in terms of the lack of conflict among themselves.

That was a rule we had to follow. They still play paramount importance in what we're doing. We created an environment where Starfleet officers were in a location that they weren't happy about being in, and they were in a location where the people who lived there weren't all that happy about them being there.

The show's main cast was intentionally assembled to create conflict Quark and Odo, Kira and Sisko, etc.

This was another very specific decision taken by the producers. Gene Roddenberry's golden rule was that there was to be no conflict among Starfleet characters, so the producers decided to introduce non-Starfleet characters so conflict could come from within the show rather than always coming from outside as it did on TNG.

Rick Berman recalled, " We [ A group of our integral people are not Starfleet officers, and the ones that are Starfleet officers aren't crazy about where they are, so we have a lot of frustration and conflict.

They seem more real. I don't know if that makes them as attractive to viewers or not. But they are really different, and they represent a different way to tell a story.

And it was definitely a conscious choice to create that potential for conflict. Michael Piller also commented on this somewhat controversial aspect of the show; " One of the primary goals of the development process was to come up with a show that had more inherent conflict than The Next Generation.

In order to do that, you have to understand that Gene Roddenberry had a very specific vision for humanity in the 24th century.

What that meant for The Next Generation was that everybody gets along remarkably well on the Enterprise. There's very little room for interpersonal conflict between those people.

In this series, we set out to create a situation that would provide natural conflict. We've populated the show with several aliens, primarily Bajorans , as we are stationed on the edge of the Bajoran star system.

And the Bajorans are very different people than we are. They are people who are very spiritual and mystical and have a whole different way of looking at life than the 24th century humanist views which many of our Starfleet people will have.

So immediately, there are conflicts. And then there's additional aliens from elsewhere who are thrown into the mix. So, as regular characters, not all the people are Starfleet, not all the people are Human, and as a result, you have this continuing conflict, because people who come from different places, honorable, noble people, will naturally have conflicts.

Unlike with TOS and TNG, Gene Roddenberry wasn't directly involved in conceptualizing DS9. Regarding Roddenberry's involvement in the series, Rick Berman stated, " Michael and I discussed it with Gene when we were still in the early stages, but never anything conceptual.

By the time we had it to the point that it was discussable, he was in pretty bad shape and not really in the condition that it would have been wise to discuss it with him.

On two specific occasions I was with him at his house and we tried to bring it up, but it wasn't really appropriate. This is definitely a different take on what Gene spawned, but I think he would love it [ All of Gene's moral requirements are upheld in this show.

If we've done anything, we've expanded on what Gene created. Initially, Berman and Piller were at a loss for a title for the series and toyed with calling the series "The Final Frontier".

During further development, the station was temporarily dubbed "Deep Space Nine", which not only stuck permanently as the name of the station, but also the title of the show itself.

Despite this, the two co-creators were reportedly dissatisfied with the name. Trek: Deep Space Nine: The Unauthorized Story , pp.

Miles O'Brien was brought aboard DS9 and made a part of the space station's senior staff because the producers felt that Colm Meaney was too talented an actor to confine his character to a transporter room.

Additionally, they hoped the TNG crossover would help boost the new series' ratings. The first officer aboard DS9 would have been Ro Laren , but she was replaced by Kira Nerys Nana Visitor because Michelle Forbes did not want to commit to a six-year contract working on DS9.

Indeed, the reason the producers had decided to set the show on Bajor in the first place was because of Ro. Following the highly rated appearance of James Doohan as Montgomery Scott in TNG : " Relics ", it was reported, in , that Doohan had been urging Paramount to add him to the cast of DS9.

It was also rumored that William Shatner had expressed interest in participating in DS9 in some capacity.

Trek: Deep Space Nine: The Unauthorized Story , p. During pre-production for the series, the producers were especially keen to ensure that the aesthetic of the show was very different from anything yet seen in the Star Trek universe.

For example, Director of Photography Marvin Rush said the producers told him that they wanted "a darker, more sinister place" than the Enterprise -D.

Rush himself described the final look as "dark and shadowy. It's a three-wall open set with a lot of room, big and cavernous. Ops, on the other hand, is a multilevel set with a lot of cramped areas and very contrasty lighting.

It's more interesting visually. As Colm Meaney elaborated, " Because it was an alien space station, it gives the whole thing a very different feel I think to Next Generation or the original show, where you have the Enterprise , which is this very perfect environment.

This is much more kind of dark and eerie, and also nothing works, the whole thing is a terrible mess. From the very beginning, DS9's darker aesthetic, more antagonistic characters and less Utopian setting were somewhat controversial among die-hard fans of Gene Roddenberry's universe.

As Ira Steven Behr, speaking in about halfway through the show's seven-year run , stated, " At the beginning of Deep Space Nine 's life, there was feelings that this was not a show that Gene would approve of by some of the fans, feeling that, you know, we had gone away from the image of the future as a paradise, that we had much more conflicts between our people, life isn't always great.

But I think Gene, just by his very nature as a creative individual, as a writer, as a forward-thinking person, knows that any franchise has to move forward like a shark, or it dies.

And I think he would understand what we're doing, and I think he would like what we're doing, and I think we're in the pocket of the Star Trek universe, and we try to push the envelope.

And I see nothing wrong with that, and I have a hard time believing that Gene would see anything wrong with that. Robert Hewitt Wolfe recalled that Sisko holding the rank of commander led to unfavorable comparisons to the other series.

Identifying one way in which he believed DS9 differed from TNG, Colm Meaney stated, " On Next Generation they were dealing with more philosophical ponderings where we on DS9 tend to deal with more hands-on immediate crises that I think of as more resonant with the problems we have in the world today [….

We connect more with contemporary issues, issues relevant to the s, than did Next Generation. The series is best remembered for an approach to serialization.

Ira Behr commented: " The fact that Discovery is serialized or that Picard is serialized doesn't mean much to me, because how could they not be serialized in ?

They get to just stay with the times. It's easy to be serialized now. Thank God they're doing that, but it would only be worthy of discussion if they didn't do it.

The serialization was a bold move. I look back at it now and I was really a bit of an asshole, because everyone was saying people can't keep up with it.

The show was syndicated and on at different times. I didn't care about any of that. I just wanted to do the best show we could do.

I could understand why certain people involved and other producers and studios would feel that that was a little bit of an annoying take, because it did hurt the fan base, but at the time, I wasn't thinking about the future.

I just wanted to do the best show we could do ". Ron Moore commented, " I think a lot of Battlestar was born at Deep Space Nine in that Deep Space started as much more episodic because of the nature of the show, it became more a continuing serialised structure.

I really liked that, and I discovered I really liked that style of storytelling, and also particularly when we got into the later years of Deep Space , and we started telling the Dominion War story , we would sit and argue and fight with the powers that be at Trek about making it a more realistic war, about making it grittier, and ugly; adding more ambiguity to the characters, and roughing it up a little bit, and I kept bumping my head against the strictures at Trek.

In , these observations provided evidence that led theorists to propose that the planet formed close to the binary star and was kicked out because of gravitational interactions with the binary.

This scenario has been tested with simulations of this system with the planet on a similar orbit — this was before we knew what the orbit of the planet was.

The problem, as pointed out by those simulating such planet interactions, is that a planet would normally be kicked out of the system entirely, becoming a rogue planet.

Some other interaction, perhaps with a passing star, would be necessary to stabilize the orbit of an eccentric planet like HD b.

This graphic shows how the exoplanet HD b may have evolved over time, arriving at its current, widely separated, eccentric and highly misaligned orbit.

Graphic courtesy of NASA, ESA, and L. In the future, a radial velocity measurement is needed to confirm our findings. Because Hubble must obscure the glare from the binary star to see the dimmer debris disk, astronomers were unable to determine the exact position of the star relative to HD b.

At its closest approach to the binary, its elliptical orbit would take it no closer than about AU from the stars, implying that it has no effect on inner planets also suspected to be part of the system.

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Star Nine
Star Nine

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